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Hommage a René Char (In Honor of René Char) ˜ Centaur Art Galleries


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  • Color photolithography
  • DIM: 40 1/4″ H * 29 7/8″ W

Czwiklitzer 291 291 In Honor of René Char Musée Municipal d’Art Moderns, Céret, France July-September, 1969 30 7/8 x 20 5/8 in. 78.5 x 52.5 cm Color lithography (Henri Deschamps, Lith.) Edition: 3,000 impressions, 100 of these on Arches paper, before lettering Printed by Mourlot, Paris, 1969 Rodrigo 185 185 Hommage A René Char Site of Exhibition Ceret. Musée d’Art Moderne. Date of Exhibition 1969. July – September. Publisher Musée d’Art Moderne. Ceret. Printer Imprimerie Mourlot. Paris 1948. Technique Lithography In Colour. Format 200 x 140 cm. Print Run 3,000 copies, of which 100 are without text on ‘Arches’ paper. There is a print run measuring 78 x 52 cm. Classification This poster was designed by Fernand Mourlot, using as subject Henri Deschamps’ lithographic reproduction of a drawing made by Picasso in pencil and coloured chalk in Notre-Dame-de-Vie on May 19,1964. Reproductions Neither this poster nor its motif has been reproduced in other posters. Subject of Reference Male faces.

Picasso Dessins 1903-1907 (Picasso Drawings 1903-1907) ˜ Centaur Art Galleries


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Photo-lithography

  • 1954
  • Limited edition of 800
  • Museum quality archival (acid free) framing
  • DIM: 34 1/4″ H * 26 3/4″ W

 

 

 

Czwiklitzer 83

83
Picasso—Drawings 1903-1907
Berggruen & Cie, Paris
May-July, 1954
24 3/8 x 16 7/8 in.
62 x 43 cm
Photolithography
Edition: 800 impressions
Printed by Mourlot, Paris, 1954
Ref: Zervos, Picasso, Vol. VI, No. 846

Rodrigo 029
029 Picasso. Dessins 1903-1907
Site of Exhibition Paris. Galerie Berggruen.
Date of Exhibition 1954. May-July.
Publisher Galerie Berggruen & Cie. Paris.
Printer Imprimerie Mourlot. Paris.
Technique Photo-lithography.
Format 57 x 45 cm.
Print Run 800 copies.
Classification Original poster. Catalogued as such by Fernand Mourlot who printed it following Picasso’s instructions regarding the design and the use of the reproduction of an ink drawing, entitled Mother and Child as the subject. This drawing was done by Picasso in the spring of 1906. It measures 30 x 37 cm. and was last heard of in the Louise Leiris Gallery, in Paris.
Reproductions Neither this poster nor its motif has been reproduced in other posters.
Subject of Reference Gosol.

Picasso Papiers Colles – Dessins (Picasso Collages – Drawings) ˜ Centaur Art Galleries


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  • Photolithography
  • 1956
  • Limited edition of 1000
  • DIM: 35 1/2″ H * 27 1/4″ W
  • Museum quality archival (acid free) framing

Czwiklitzer 97

97
Picasso Collages—Drawings
Au Pont des Arts – Galerie Lucie Weill, Paris
January 26th-February 16th, 1956
26 1/8 x 17 7/8 in.
66.5 x 45.5 cm
Photolithography
Edition: 1,000 impressions
Printed by Mourlot, Paris, 1956

Rodrigo 044
044 Picasso Papiers Colles – Dessins
Site of Exhibition Paris. Galerie Lucie Weill.
Date of Exhibition 1956. January 26 – February 16.
Publisher Galerie Lucie Weill. Paris.
Printer Imprimerie Mourlot. Paris 1956.
Technique Photo-Lithography in Three Colours.
Format 85 x 59 cm.
Print Run 1,000 copies.
Classification Original poster, according to Joseph K. Foster, and catalogued as such by Fernand Mourlot, who made the print following Picasso’s instructions to use as a subject for the design his drawing in charcoal on paper and “papier colle” entitled Bottle, Glass and Newspaper on a Table. Picasso did this drawing in Paris in the autumn-winter of 1912.
Reproductions Neither this poster nor its motif has been reproduced in other posters.
Subject of Reference Still lifes and flowers.

A la Rencontre de Pierre Reverdy et Ses Amis (The Meeting of Pierre Reverdy and His Friends) ˜ Centaur Art Galleries


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  • Photolithography
  • 1970
  • Limited edition of 3000
  • DIM:34 3/8″ H * 26 5/8″ W
  • Museum quality archival (acid free) framing

 

Rodrigo 193
193 A la Rencontre de Pierre Reverdy et Ses Amis
Site of Exhibition Saint-Paul de Vence. Cote d’Azur. Fondation Maeght.
Date of Exhibition 1970. March 23 – May 25.
Publisher Fondation Maeght.
Printer Imprimerie des Arts. Paris 1970.
Technique Photo-Lithography in Colour.
Format Image: 60 x 45 cm. Total size: 66 x 51 cm.
Print Run 3,000 copies. Other copies “avant la lettre”, unsigned and unnumbered.
Classification This poster was designed by Adrien Maeght, using as subject the zinc etching entitled Portrait of Pierre Reverdy. This engraving, measuring 23.2 x 15.9 cm., was produced by Picasso in 1922 in Paris and is now in the Museum of Modern Art (MOMA), New York. It belongs to the Abby Aldrich Rockefeller Foundation.
Reproductions There have been four printings of this poster, in two of which the frames around the engraving and bearing the text are in burgundy. In the other two, the frames are green. Also, the burgundy colour print runs can be distinguished from one another by the format, as can the green ones. The two burgundy editions were printed for the exhibition held from March 23 to May 25,1970, at the Fondation Maeght in Saint-Paul. The poster presented here corresponds to the smaller format of this edition. The green coloured print runs were produced later and refer to the exhibition held at the Musée d’Art Moderne in Paris.
Subject of Reference Portraits.

Congres Mondial pour le Désarmement Général et la Paix Moscou 1962 (SOLD) ˜ Centaur Art Galleries


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SOLD
Congres Mondial pour le Désarmement Général et la Paix Moscou 1962
World Congress for General Disarmament and Peace

  • 1962
  • Color photolithography
  • Limited edition of 8000
  • DIM: 58″ H * 46 5/8″ W

 

 

 

 

Czwiklitzer 174

174
World Congress for General Disarmament and Peace
1962
393/8 x 26 in.
100 x 66 cm
Color photolithography
Edition: 8,000 impressions
Printed by Mourlot, Paris, 1962

 

Rodrigo 129
129 Congres Mondial pour le Desarmement General et la Paix Moscou 1962
Site of Exhibition Moscow.
Date of Exhibition 1962. July 9 -14.
Publisher World Congress for General Disarmament and Peace.
Printer Imprimerie Mourlot. Paris.
Technique Photo-lithography in colours.
Format 72 x 48 cm.
Print Run 8,000 official copies with texts in German, Arabic, Spanish, French, English and Russian. There are unofficial copies in existence, published in Bulgarian and other East-European languages. Copies were made “Avant la Lettre”.
Classification Original poster. Picasso designed the poster and provided the lithograph used as the main subject. He was not involved in writing the text. The lithograph, measuring 59 x 76 mm., was produced on March 10, 1962.
Reproductions Neither this poster nor its motif has been reproduced in other posters.
Subject of Reference Doves.

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