Lithography (from Greek λίθος, lithos, “stone” and γράφειν, graphein, “to write”) is a method of printing originally based on the immiscibility of oil and water. Printing is from a stone (lithographic limestone) or a metal plate with a smooth surface. It was invented in 1796 by German author and actor Alois Senefelder as a cheap method of publishing theatrical works. Lithography can be used to print text or artwork onto paper or other suitable material.
Lithography originally used an image drawn with oil, fat, or wax onto the surface of a smooth, level lithographic limestone plate. The stone was treated with a mixture of acid and gum arabic, etching the portions of the stone which were not protected by the grease-based image. When the stone was subsequently moistened, these etched areas retained water; an oil-based ink could then be applied and would be repelled by the water, sticking only to the original drawing. The ink would finally be transferred to a blank paper sheet, producing a printed page. This traditional technique is still used in some fine art printmaking applications.
In modern lithography, the image is made of a polymer coating applied to a flexible aluminum plate. The image can be printed directly from the plate (the orientation of the image is reversed), or it can be offset, by transferring the image onto a flexible sheet (rubber) for printing and publication.
As a printing technology, lithography is different from intaglio printing (gravure), wherein a plate is either engraved, etched, or stippled to score cavities to contain the printing ink; and woodblock printing or letterpress printing, wherein ink is applied to the raised surfaces of letters or images. Today, most types of high-volume books and magazines, especially when illustrated in colour, are printed with offset lithography, which has become the most common form of printing technology since the 1960s. The word lithography also denotes photolithography, a microfabrication technique used in the microelectronics industry to make integrated circuits and microelectromechanical systems.
“The Doctor” etching by James Whistler at Centaur Art Galleries
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The Doctor – James Whistler Lithograph
“The Doctor” by James Whistler is just one of the thought provoking pieces of art on display at Centaur Art Galleries of Las Vegas, NV. “The Doctor” is a full body portrait of Whistler’s brother who used his skill as a surgeon during the American Civil War and after in London and Paris. Whistler uses what he knows as inspiration. This is what makes his work so personal and intimate. James Whistler was one of the great artists seen during the nineteenth century though “The Doctor” is one of Whistler’s later lithographs. He loved music as well as art. “The Doctor” was etched in recognition of his brother coming to his residence in Paris to see his sick wife. He has a great reputation as an etcher. Much of his work is of family portraits. Whistler uses much detail in his brother’s face, but his use of lines and shading is exquisite. There are no colors except black in his etchings to imply harmony. Lines are more important than color and black is the fundamental are two principles he believed true. Black was also one of the first colors used by artists. During the 18th and 19th centuries, black was a dominant color in fashion. Paris became the fashion capital of the world. Lines are just a piece of music just as the lines he uses are only pieces of his art. They are only pieces of a whole.
Call now to speak with a live Centaur Art Gallery representative about “The Doctor” or any other artwork by James Abbott McNeill Whistler – (702) 737 1234 or visit our showroom.
“Tamar the Daughter-in-law of Judas” by Marc Chagall
View more information about Marc Chagall’s “Tamar the Daughter-in-Law of Judas” famous lithograph here. You can also speak with a Centaur Gallery representative by phone during normal business hours – (702) 737 1234
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Tamar the Daughter-in-Law of Judas – Lithograph By Marc Chagall
“Tamar the Daughter-in-law of Judas” is just one of many of Marc Chagall’s original lithographs that can be seen at Centaur Art Galleries of Las Vegas, Nevada. Chagall created this color lithograph in 1960. He was born in 1887 and was a Russian-French artist until 1985. He was probably one of the first European modernists to be seen. Chagall never forgot his Jewish culture either. His Jewish background probably inspired much of his work. Art tells a story; it is history. A picture is worth a million words. Chagall was asked to illustrate the Old Testament; therefore; he traveled to Palestine. He wanted to experience the “Holy Land” as it is sometimes referred to as for himself to give him inspiration for his work. “Tamar the Daughter-in-law of Judas” wasn’t an illustration used in the Old Testament, so it was probably for himself. To remind himself of his background. To be proud of it. Later in life, he was not a practicing Jew, but he did consider himself always a Christian.
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Marc Chagall Photo Courtesy of: Russiapedia
The story of Tamar and Judas can be read in the Book of Genesis. In this piece, Chagall didn’t decide to use many colors in this piece: red and black. I don’t think this painting requires much color. Red is primary which seems fitting because it is bold. From the story, we can see Tamar’s personality as bold. Chagall’s choice of red captures the viewer’s attention. Red also invokes much emotion. A biblical scene should evoke such emotion. Many of Marc Chagall’s paintings can be found at Centaur Art Galleries of Las Vegas. All of Chagall’s paintings have a story behind them and a very real to the artist himself.
Marc Chagall portrait courtesy of Russiapedia – http://russiapedia.rt.com/prominent-russians/art/marc-chagall/